
This week has been like most dress rehearsal weeks—terrible. After weeks of learning lines and stage direction, Sunday night we were slammed with light cues, sound cues, new set pieces to work with, a truckload of hand props, quick wardrobe changes that would challenge the likes of superman himself, hair, makeup, and the list goes on. For us seasoned theater veterans, the final rehearsal process is unnerving. For the inexperienced kid actors in the cast, the past few nights have undoubtedly been overwhelming.
All week I’ve found myself in an intense vortex of a schedule: Alarm at 5:30 to get to the gym, at work at 8, at the theater by 5, finally home at 10:30 or 11. (Thankfully, this schedule ceases once we open on Friday.) I’ve found myself conducting mental checklists and running lines in my head every spare second I have at the gym, at work, and especially falling asleep at night… “Before the show, I need to place that prop on stage. I need to make sure my hat is where I left it. Oh, and I missed that cue line last night. I need to make sure I review it before tonight.”
All of this self-inflicted stress is my way, as an actor, to make sure I’m mentally prepared to handle any situation that comes my way when everything is on the line in performances. The deadline I’m facing on Friday night is one that I’m looking forward to with giddy excitement, but it’s also a deadline that I couldn’t successfully hit without hours and hours of advanced work.
Maybe you find yourself in a similar situation as you plot out research and story for your current WIP. Are you an author who mentally prepares the details of your story? Do you spend time letting plot twists marinate in your brain, tweaking them as new ideas come from other areas of life? I’m a BIG proponent of what my high school physics teacher called “incubation time.” The best way to handle a problem or a question, he said, was to consider it, sleep on it, and come back to it the next day.
So where do we stand in rehearsals today? I’m overjoyed to report that on Wednesday night the

Guest blogger: Annie Tipton is our managing editor.
9 comments:
I enjoyed this.
What a great reminder that writers aren't the only ones who have a lot of work to do before "the show," which for us means getting published.
Break a leg, Annie!
I recall tech week when I was in Miracle on 34th Street last year. Tough stuff! I played several roles including Mrs. Harper (the judge's wife) among other things. I also got to yell at my husband in the play - he played the judge(!). We got a lot of laughs. :)
This is a wonderful blog post Annie! It's wonderful to see the fun side of editors. Have a great time at your play. I'm sure you will steal the show!
I'm doing revisions on Christmas Cowboy, a release for next Christmas from Barbour and I just changed the beginning...not substantively but tweaking, showing, cutting, adding...you know...for about the tenth time. The beginning is always like this for me. Not too much, not too little, jump into the action, minimize the backstory but put in just enough.
It's very hard to feel content with the final product.
Oh, and Becky, don't panic. Christmas Cowboy (cowboy christmas?) is done. I've written aother book since I finished it.
But I wanted to revise it during the Christmas season. Christmas books have a special shine, a special sentiment and holiness, if you do them right and I wanted to be in this season to do final revisions.
A Cowboy Christmas :-)
Interesting post in light of the celebration taking place in our area (Cleveland) where the original house has been refurbished. They've had the actors here celebrating the 25th anniversary of the film. Flick has certainly grown up.
As my Broadway niece says, "Break a leg," Annie!
I went and checked. Of COURSE it's Cowboy Christmas. :)
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